![]() ![]() ![]() He rebounded during the late ’00s with a few strong guest appearances and The Ecstatic (2009), a much stronger entry into his discography that showed that when Mos gave a fuck, he could still make damn good music.īut in the years following The Ecstatic, Mos, now going by Yasiin Bey, made more headlines for what he was getting into off record than on record. While New Danger was a bloated, over-ambitious mess, True Magic sounded like a phoned-in attempt to fulfill his contract with Geffen Records. Both 2004’s The New Danger and 2006’s True Magic were missteps for different reasons. Even as Mos’ film career flourished in the early ’00s, he stumbled musically. It would be easy to spend thousands of words talking about those early days, because if nothing else, it would prevent you from having to think about the subsequent fall. ![]()
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